提升托福阅读能力加快做题速度

托福阅读提高需要提升阅读速度和做题速度，而这两点是相辅相成的，没有好的阅读基础是无法快速找到答案的，今天小编给大家带来了托福阅读提高方法，希望能够帮助到大家，下面小编就和大家分享，来欣赏一下吧。

托福阅读提高方法：提升阅读能力加快做题速度!

一. 提高托福阅读能力：跳读和扫读法

很多同学都习惯于先看题，然后根据题目找答案，即便如此我们要也要提高阅读能力，否则无法在有限时间内找到正确答案。而提升阅读能力的两种方法则是跳读和扫读。练就这样的快速阅读方法可以帮助我们快读定位信息。比如，阅读中前三个题是根据阅读文章第一段出的，我们可以利用跳读法迅速把握整体段意，然后根据每道题使用扫读法去定位段落中题目对应的信息，这样才能快速做对题。

这两种阅读方法需要大家在平时多加练习，练习跳读法的时候，建议找一篇文章，限定时间快读读文章，将注意力集中在每段的首句和末句，快读把握段落主旨大意，计时结束后，在纸上写下你所理解的文章大意，然后等到文章读完以后再做对比。扫读法可以通过做题来练习，看到一道题目后找到题目的关键信息(比如时间，人名或地点)，然后快速扫读文章段落，找到对应信息，再在你定位的区域寻找题目答案。

二. 托福阅读快速做题法

1. 先易后难

托福阅读和其他版块不同，做完题目以后仍然可以返回修改，所以做题的时候挑拣容易的题做，比如，你的词汇题做的很好，那就先做词汇题再做其他题目。容易的题目做完以后，再用剩余的时间去研究难题，此时相对来说做题时间已经比较宽裕。

2. 实在不会的题不用纠结太久

很多同学在做阅读题目的时候容易被一道题卡住，不停地在文章中找答案，不知不觉几分钟就过去了，结果浪费了很多时间到导致后面的题没有时间做……每一篇阅读只有20分钟，所以每道题做题时间建议保持不超过2分钟。如果平时做题总容易忽略时间，建议大家在考试的时候注意屏幕上的倒计时，如果花了一分钟仍然没有弄懂问题，那就直接蒙一个或者先空着去做其他的题。如果后面题目做的顺利，我们会有时间回头来做这道题，如果后面题目不顺利，那说明我们也不应该在这道题上浪费很多时间。

托福阅读真题原题+题目

Of all modern instruments, the violin is apparently one of the simplest. It consists in essence of a hollow, varnished wooden sound box, or resonator, and a long neck, covered with a fingerboard, along which four strings are stretched at high tension. The beauty of design, shape, and decoration is no accident: the proportions of the instrument are determined almost entirely by acoustical considerations. Its simplicity of appearance is deceptive. About 70 parts are involved in the construction of a violin. Its tone and its outstanding range of expressiveness make it an ideal solo instrument. No less important, however, is its role as an orchestral and chamber instrument. In combination with the larger and deeper-sounding members of the same family, the violins form the nucleus of the modern symphony orchestra.

The violin has been in existence since about 1550. Its importance as an instrument in its own right dates from the early 1600's, when it first became standard in Italian opera orchestras. Its stature as an orchestral instrument was raised further when in 1626 Louis XIII of France established at his court the orchestra known as Les vingt-quatre violins du Roy (The King's 24 Violins), which was to become widely famous later in the century.

In its early history, the violin had a dull and rather quiet tone resulting from the fact that the strings were thick and were attached to the body of the instrument very loosely. During the eighteenth and nineteenth century, exciting technical changes were inspired by such composer-violinists as Vivaldi and Tartini. Their instrumental compositions demanded a fuller, clearer, and more brilliant tone that was produced by using thinner strings and a far higher string tension. Small changes had to be made to the violin's internal structure and to the fingerboard so that they could withstand the extra strain. Accordingly, a higher standard of performance was achieved, in terms of both facility and interpretation. Left-hand technique was considerably elaborated, and new fingering patterns on the fingerboard were developed for very high notes.

1. The word standard in line 12 is closest in meaning to

(A) practical

(B) customary

(C) possible

(D) unusual

2. The King's 24 Violins is mentioned in line 15 to illustrate

(A) how the violin became a renowned instrument

(B) the competition in the 1600's between French and Italian orchestras

(C) the superiority of French violins

(D) why the violin was considered the only instrument suitable to be played by royalty

3. What is the main idea presented in paragraph 3?

(A) The violin has been modified to fit its evolving musical functions.

(B) The violin is probably the best known and most widely distributed musical instrument in the

world.

(C) The violin had reached the height of its popularity by the middle of the eighteenth century.

(D) The technique of playing the violin has remained essentially the same since the 1600's.

4. The author mentions Vivaldi and Tartini in line 19 as examples of composers whose music

(A) inspired more people to play the violin

(B) had to be adapted to the violin

(C) demanded more sophisticated violins

(D) could be played only by their students

5. The word they in line 22 refers to

(A) Civaldi and Tartini

(B) thinner strings and a higher string tension

(C) small changes

(D) internal structure and fingerboard

6. The word strain in line 22 is closest in meaning to

(A) struggle

(B) strength

(C) strategy

(D) stress

7. The word Accordingly in line 23 is closest in meaning to

(A) However

(B) Consequently

(C) Nevertheless

(D) Ultimately

8. According to the passage , early violins were different from modern violins in that early violins

(A) were heavier

(B) broke down more easily

(C) produced softer tones

(D) were easier to play

9. According to the passage , which of the following contributes to a dull sound being produced

by a violin?

(A) A long fingerboard

(B) A small body

(C) High string tension

(D) Thick strings

10. Which of the following terms is defined in the passage ?

(A) resonator (line 2)

(B) solo (line 7)

(C) left-hand technique (line 25)

(D) fingering patterns (lines 24-25)

11. All of the following are mentioned in the passage as contributing to the ability to play modern

violin music EXCEPT

(A) more complicated techniques for the left hand

(B) different ways to use the fingers to play very high notes

(C) use of rare wood for the fingerboard and neck

(D) minor alterations to the structure of the instrumentANSWER KEYS

PASSAGE 100 BAACD DBCAA C

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